For my wife's birthday we went out for a dinner theater at the Mayfield Theater in Edmonton to a stage version of the 1980 film that starred Jane Fonda, Dolly Parton, Lily Tomlin, and Dabney Coleman. The movie examined the office politics and sexual discrimination that took place in the 1980s and in some ways seems dated though sadly not enough. Now the movie is best remembered for the Dolly Parton songs that came out of it.
We had seen the Buddy Holly story the previous year and really enjoyed that performance. 9 to 5 was fun but the songs just did not grab us as much. Still the food at the dinner buffet was good and the play did entertain.
Orphan Black - starring Tatiana Maslany
This 10 episode series came out of the blue and blew a lot of people away: critics and viewers alike. Canadian actress Tatiana Maslany carries the premise of human cloning on her slight shoulders with great aplomb. Her ability to create distinctly different personas for each of the clones - aided with wardrobe and accent changes and the advancement in technology that gets away from the old school locked down split screen shots used for doubling up the same actor in one shot - sells the series conceit.
Mix in the main clone's gay brother played with cheeky humor by Dylan Bruce, an over arcing mythology as the clones work together to find out who is behind their creation and why, the constant thread of humor in what could be a very dark and morose series, and the kicker of seeing the various clone iterations interact with one another.
Another kicker with all these clones was getting to know each of them and re-evaluating which version you liked best. Sarah, the main clone, is the punk rocker version and initially seems the most rebellious, interesting, and engaging. At the other end of the scale we had the uptight soccer mom - Alison who was off putting. Yet by the end of the season because of the character arcs the clones have, Alison became my favorite clone and Sarah ended up being the more restrained one used to drive the plot.
A fun series and as an added note of attraction the series is shot in Toronto so seeing familiar landmarks ie Union Station and the tight shots of the Toronto skyline trying to hide the CN Tower bring an extra layer of verisimilitude to it.
Shadows & Tall Trees - Vol 5 - edited by Michael Kelly
I've read every volume of this small press collection that Michael Kelly has put out and this horror series continues to explore the themes of alienation and loss. This volume includes stories by Ray Cluley, Gary Fry, Richard Gavin, Claire Massey, Daniel Mills, Lynda E. Tucker, Kin Tidbeck, and D.P. Watt.
There are several great tales here with the standout being Moonstruck by Karin Tedbeck which has a Gaimanesque quality as the moon gets closer and closer to earth. Other tales range from the sublime - Casting Ammonites by Claire Massey to the outright horrific - Laudate Dominium (for many voices) by D.P. Watt.
As Peter Straub is quoted on the cover - 'A beautiful and courageous journal.' I agree and will continue to follow the journey Michael Kelly is charting with it.
The Ocean At The End Of The Lane by Neil Gaiman
A wonderfully lyrical book. Gaiman makes magical seem so.... magical. To put specific words down to describe the story would dilute it's charm because it would put limitations on the ginormous ideas contained in this slim novel.
Read it. Treasure it. For Gaiman is indeed a Wizard Of Words.